Our society is chaotic, violent, and often disturbing to grow up in. Wouldn’t it be much better to grow up in a safer, more secure place? How much of the unease and disorder of modern society would you sacrifice to create a more peaceful and harmonious civilization? The Giver, by Lois Lowry, asks this difficult question, and creates a dystopia both serene and haunting for its lack of emotions and empathy for its citizens.
In Taemon's world, the community of Deliverance, all activity and actions take place through the use of telekenesis.For example, no hands are needed when eating. One simply lifts the food into one's mouth through the power of thought. In fact, it is considered unseemly to use one's hands at all in the book Freakling, by Lana Krumweide. Additionally, Taemon is able to harness his psi in a rather unconventional way. He is able to let his mind wander. This enables him to see into the inner workings of things. But allowing one's mind to wander is forbidden.Taemon is an out-of-the-box thinker in a world that wants to box everyone in.
Insurgent is the sequel to the science fiction bestseller Divergent and picks up Tris Prior’s story immediately where the first book left off. Tris, Tobias, and the other Dauntless members who have not allied with the Erudites after the massacre of the Abnegation faction seek shelter with other factions, trying to find a place to regroup and recover. But Jeanine, the Erudite leader, and the Dauntless “traitors” give them no peace. One by one, their potential allies fall away until the only remaining option is to join forces with the previously despised Factionless.
T.S. Eliot’s poem “The Hollow Men” ends with a description of anticlimactic destruction: “This is the way the world ends / Not with a bang but a whimper.” In The Children of Men, the world is facing a similarly unspectacular, silent annihilation. P.D. James’s novel explores a dystopia that is not dominated by a totalitarian regime. The sky has not been blackened, nor has nuclear fallout rendered the world unlivable. The collapse of human society is being expedited by the simple fact that a child has not been born in 25 years.
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Brave New World by Aldous Huxley
Huxley's story shows a futuristic World State where all emotion, love, art, and human individuality have been replaced by social stability. An ominous warning to the world's population, this literary classic is a must-read.
1984 by George Orwell
Portrays a terrifying vision of life in the future when a totalitarian government, considered a "Negative Utopia," watches over all citizens and directs all activities, becoming more powerful as time goes by.
Erewhon by Samuel Butler
Erewhon (an anagram for "nowhere") is a faraway land where machinery is forbidden, sickness is a punishable crime, and criminals receive compassionate medical treatment.
Fahrenheit 451 by Ray Bradbury
A totalitarian regime has ordered all books to be destroyed, but one of the book burners suddenly realizes their merit.
Divergent, by Veronica Roth, is an example of dystopian young adult fiction at its best! It takes place in a Chicago of the future--in a world that has been rebuilt after society collapsed. In an attempt to avoid the problems of the past, this new Chicago society is divided into five factions - Dauntless (bravery), Amity (friendship), Erudite (knowledge), Candor (truth), and Abnegation (selflessness). Each faction follows a strict code of conduct; each has its own ideals; and each has its own role in governing the new society. At the age of 16, every person throughout the city must go through a simulation designed to show him or her which faction would be most suitable to join.
In Gun, with Occasional Music, Jonathan Lethem blends dystopia and noir in order to depict the Oakland of the future: a surreal world where the written word is obsolete and animals wear clothes and behave as humans. It’s also a place where corrupt Inquisitors run amok and one’s social standing is determined by “karma points.”
In the midst of this disorienting environment, Conrad Metcalf is a reassuringly anachronistic figure. Rather than serving the monolithic institution known as the Office, he embraces his own brand of investigation, walking the streets and asking questions as a Private Inquisitor. The Office has tolerated his presence and unorthodox methods, but their complacency evaporates once Conrad starts working for a new client: Orton Angwine.