Steampunk is a genre that imagines what would happen in a society where technology is powered by steam instead of electricity. Many steampunk novels grapple with our fear of technology and explore what technology can do to us or make us do.
Daisy Kutter: The Last Train follows a feisty female trying to be on her best behavior. Ms. Kutter runs the town general store, but she was always most at her element when committing train robberies and other such deeds.
She may be trying to be a good girl at the beginning of the story, but we all know that old habits die hard. When she's asked to come out of retirement to rob one last locomotive, the offer sounds too good to be true.
H.G. Wells’ classic, The Time Machine, tells the story of a man who travels through time into the far distant future to find that humanity has evolved into two distinct species: the complacent, placid Eloi and the predatory, cunning Morlocks. Falling in love with one of the Eloi, the protagonist is successful in recovering his Time Machine and using it to escape back to Victorian England. But he feels lovesick and depressed without her, and finally uses the Time Machine to travel back to the future to rejoin her and help the Eloi create a new golden age free of the Morlocks’ terror…or so H.G. Wells assumed.
With its intentional emulation of a Victorian writing-style and elaborate machines recalling the dawn of science fiction, Morlock Night, K.W. Jeter’s sequel to The Time Machine, was the novel for which the phrase “steampunk” was invented. Steampunk is a subgenre of science fiction rooted in the speculative fiction of the nineteenth century and is distinguished by its use of Victorian-era settings, steam-powered technology, and stylistic elements influenced by nineteenth century writing. Morlock Night’s combination of science fiction and alternate history proved to be a major stylistic influence that codified many aspects of the steampunk genre. Shorter and more action oriented than Wells’ novel, it is dominated by an atmosphere of darkness and suspense and an ironic, knowing wit.
Alexia Tarabotti finds it terribly inconvenient to happen upon a thirsting vampire while she herself is simply starving at an ill-hosted party with few victuals. She quickly dispatches the vamp with her parasol, a handy weapon that has saved her many times. Of course the vampire was no true danger to Alexia, who, as a rare preternatural without a soul, restores mortality (and therefore vulnerability) to such supernaturals as ghosts, vampires, and werewolves with a single touch. These supernaturals co-exist with humans in an alternate Victorian London in Soulless by Gail Carriger, the first of the Parasol Protectorate series.
Wires were being bent, watches broken, and the scent of hot glue was in the air. The chatter of teens and a few adult artists filled the air as copiously as the junk that littered the table. The sounds and sights of books being “remade” were a little bit unnerving even to the librarians that planned the program, but there was no doubt about it – Steampunk’d Books at the Salem Church Library was a hit.